If so, should we assume cashew shelling machine that the painting of the Etruscan tombs, which has

"Fresco" cashew shelling machine house of Livia on the Palatine (first century AD), Rome. Etruscan ANCIENT MURAL PAINTING Painting: cashew shelling machine Tomb of the Lionesses (detail of the decor), Tarquinia. "Fresco" house of Livia on the Palatine (first century AD), Rome. Procedures / painting techniques / The Ancient mural painting
"On the contrary in Crete are true frescoes of high technical quality. They date back to the prehistoric Minoan culture and chemical analyzes show that lime and pigments (formed from land) were locally cashew shelling machine sourced, cashew shelling machine except for the fried . Egyptian blue is called fried Alexandria Egyptian or a bluish material composed of sand. Filing copper and sodium carbonate, baked The ancients used to decorate pottery, and spray, served as Because of pigment. the disappearance of Greek painting, we simply relied on insufficient information from Pliny The most important giving on the Greek painting is that it knows only four colors. White (land of Melos), yellow (ocher attic), red ( Pontus ocher), black (black smoke mixed with binder) (Natura lis History, XXXV, 7, 50; Tcubner ed.).
Maiuri wants to see confirmed this statement by Pliny in the famous mosaic of Alexander, of the house of the Faun in Pompeii, and the emblemata signed by Dioscurides of Samos, in the house of Cicero, mosaics are copies of older paintings. Indeed, the colors are soft and are limited to red, brown, black, white and sometimes yellow; Maiuri (Roman Painting, 1953, p. 70) holds the view that this very narrow range faithfully repeats the original.
If so, should we assume cashew shelling machine that the painting of the Etruscan tombs, which has been considered as a repetition of the Greek models, reflecting a later stage of Greek painting: in fact the palette (see for example the tombs of Tarquinia ) is usually wider and includes black and white, yellow, pink, various shades of red, red, blue, green. Note the presence of blue and green unknown by the Greeks according to Pliny. Many of the Etruscan tomb paintings, especially those of Tarquinia, are made to cool: the wall of stench was coated with a layer of rather thin clay mixed with straw (the Tomb of the Bigas in Tarquinia is an exception, because instead Straw has been used peat), and clay milk of lime, which was the background against which the paint is applied, at the same time served as a binder was given. The colors were given mixed or pure. For example, there were three kinds of white: white lime we talked, white mixed with yellow ocher and white mixed with a small amount of blue. The color of female flesh tones are obtained with red ocher mixed with lime.
Red, brown, ocher: By contrast, for conventional color male bodies were used. Color used without much research and spread fairly evenly, with touches of claros- heal here and there. At the Tomb of Carante are remarkable "lights" (usually touches of white to indicate the reflections of light) nonoverlapping, cashew shelling machine but reserved on white background. Pliny and Vitruvius provided precious information on techniques and especially the colors used by the Roman wall painting. Pliny makes an interesting distinction between colors, dividing cashew shelling machine into two distinct categories: flowery colors and austere colors. The first would be that we will call the second transparent colors and body colors. Flowery colors were so beautiful that the client should supply them the painter. Flowery colors are:, minimum, armenium, Cinnabaris, chysocolla, cashew shelling machine indicum and purpurisum. Of these, cashew shelling machine minium and cinnabar, mixed with other less prized colors were used for the famous Pompeian red. The Blues drew the armenium and indicum, beautiful exotic pigments (the armeniu obtained green bolus of Armenia, is itself a green sea), while the purple (purpurissum) was a dye animal. Chrysocolla gave the green grass and copper silicate cashew shelling machine obtained.
Plinio subdivided austere colors into two categories: those found in nature and those obtained with special preparation (Pliny the term used for the first is nascuntur, for funt seconds). In nature synopsis cashew shelling machine (red earth), heading (toasted ocher, red), Paraetonium (white, calcium carbonate), melinum (white Earth Island Melas), Eretria (another white ground), auripigmentum (yellow sesquisulfide are arsenic). Those who need special preparation: ochra, cerussa USTA and sandarac (giving a color minium), Sandyx (mixed color between red and san